Jayson Castle

I trained as a printmaker and left it for screens, then spent a decade going back and forth between the two. What survived that argument is a way of working that treats a file and a sheet of paper as the same problem: something you can push until it tells you what it wants to be.

Selora is where that work lives. It is not a client portfolio and it was never meant to be tidy. Some pieces resolve in an afternoon, some have been open for three years, and a few will stay unfinished because finishing them would settle a question I would rather keep asking.

I work alone, from a studio in Shoreditch, and collaborate when the idea genuinely needs more than one set of hands.